FRIDAY, APRIL 9 2021

SESSION I: 8:30-10:30 TRADITIONS AND POP CULTURE

CHAIR Jittapim (Nan) Yamprai (University of Northern Colorado)

8:30 The Benefits of Ponglang Ensemble Competition for Participants

Du Hao (Mahasarakham University)

9:00 Exploring Musical Creativity in Thai Culture: The Intricate Relationship between Prachan Music and Wai-Khruu Ceremony

Great Lekakul (Chiang Mai University)

9:30 Thailand Represent: Rap Cartography and Regional Identity in Thai Hip-Hop

Benjamin Cefkin (University of Colorado Boulder)

10:00 Climate Changes in the Stereotype and Gender Domination in K-Pop Market: A Case study of MAMAMOO Hwasa

Sijia Song (University of Northern Colorado/Capital Normal University)

BREAK 10:30-10:45 REMO BREAK ROOM

SESSION II: 10:45-12:45 STRUGGLES FOR IDENTITY

NOTE: Golriz Shayani will not be presenting in this session

CHAIR Andrea Shaheen (University of Texas at El Paso)

10:45 Encounter with Invisible Songs: Life, Love, and Loss in Iraqi Songs of Migration

Liliana Carrizo (Colorado College)

11:15 Shen Yun Performing Arts and the War for Chinese Identity

Heather Couture (University of Texas Austin)

11:45 Central-Asian Foreshadowing and the Risk of Inner Mongolian Sinofication

Jake Larcqua (University of Northern Colorado)

LUNCH (12:45-1:30 pm) MDT

SESSION III: 1:30-3:00 MUSIC AND SOCIAL ISSUES

CHAIR Brian Casey (University of Northern Colorado)

1:30 On the Proper Display of Labor: Theorizing Professional Identity and Affective Labor in New Classical Music Ensembles

John Pippen, Colorado State University

2:00 So Many Reasons for Revival: Politics and Commercialism in the Second Wave of Folk Revival in the United States 1958-1965

Nicholas Booker, University of Northern Colorado

2:30 (Re)sounding Identity: Visual and Musical Response to the El Paso Mass Shooting

Eduardo Garcia, University of New Mexico   

BREAK 3:00-3:15 REMO BREAK ROOM

SESSION IV: 3:15-4:45 pm. JOINT SESSION AMS-RMSMT-SEM

TRADITIONAL INFLUENCES AND IDIOMS IN MODERN CLASSICAL MUSIC

CHAIR Hee-Seung Lee (University of Northern Colorado)

3:15 Diversity Composition: Reflections of the Diasporic Lives and Extra-Cultural Korean Identities of Isang Yun and Younghi Pagh-Pann

Yoo Joo Hwang (University of Central Florida)

3:45 Influence of Traditional Japanese Aesthetic and Nature in Toshio Hosokawa’s Compositions

Attakorn Sookjaeng (University of Northern Colorado)

4:15 Projecting Ecuadorian Cultures in Sueño Andino (Andean Dream), A Composition for Electronics and Andean Instruments

Daniela Paez (University of Northern Colorado)

4:45 Topical Specification of Vernacular Idioms: Understanding the Farruca and the Garrotin as Musical Topics in Spanish Modernism

David Heinsen (University of Texas Austin)

RECEPTION FRIDAY 5:15-6:30 Remo Break Room

SATURDAY, APRIL 10 2021

SESSION V: 8:30-10:30 CULTURAL INTERSECTION IN THE AMERICAS

CHAIR Liliana Carrizo (Colorado College)

8:30 “We Fight for What is Ours”: Destabilization of Voice in Cantata Popular Santa Maria de Iquique

Lydia Wagenknecht (University of Colorado Boulder)

9:00 Preserving Flamenco in Colorado through René Heredia’s Pedagogy of Nostalgia

Jessica Vansteenburg (University of Colorado Boulder)

9:30 Hawai’ Puerto Ricans Negotiate “Real Puerto Rican” Music

Ted Solis (Arizona State University)

10:00 Indexing Yoruba Authenticity: The Legend of Lázaro “El Maestro” Galarraga

Zane Cupec (University of Colorado Boulder)

BREAK 10:30-10:45 REMO BREAK ROOM

KEYNOTE ADDRESS 11:00-12:00

IMPERIALIST SUBSTITUTIONS: COMMEMORATING BEETHOVEN IN 1927 VIENNA

Annegret Fauser (University of North Carolina – Chapel Hill)

LUNCH SATURDAY 12:00-1:00

CHAPTER MEETINGS 1:00-2:00

SESSION VI: SATURDAY 2:15-3:45 MODERN ASIAN PEDAGOGY

CHAIR Jay Keister (University of Colorado Boulder)

2:15 The Challenges of Integrating Asian Music in Choral Repertoire

Micayla Bellamy (Colorado State University)

2:45 Skyping Shakuhachi: How Internet Mediation Affects Transmission and Japaneseness of Shakuhachi Practice

Brandon Stover (University of Colorado Boulder)

3:15 Guqin on Bilibili: Innovation and Re-Imagination on Traditional Chinese Instrument

Ye Zhang (University of Hawai’i-Mānao)

BREAK 3:45-4:00 REMO BREAK ROOM

SESSION VII: SATURDAY 4:00-5:30 CULTURAL INFLUENCES ON JAZZ

CHAIR Drew Zaremba (University of Northern Colorado)

4:00 Functions of Creole Identity in the Origins of Jazz in New Orleans

Brian Casey (University of Northern Colorado)

4:30 Jazz as Popular Music: A 1960s Renaissance in Black America

Mike Smith (Ohio State University)

5:00 Middle Eastern Exoticism in Hard Bop Jazz: 1950s-1960s

Sopon Suwannakit (Western Oregon University)